Patrick’s previous work at the Abbey Theatre includes 16 Possible Glimpses, Medea, The House (2000), Observe the Sons of Ulster Marching Towards the Somme, The Plough and the Stars, Hamlet and As The Beast Sleeps, Irish Times/ ESB Award for Best Supporting Actor 1999. Other theatre work includes The Crucible and Cat on a Hot Tin Roof (Lyric Theatre, Belfast), Ashes to Ashe, Cold Comfort (Prime Cut Productions, Theatre 503, Belfast Festival), Popcorn (Nottingham and West Yorkshire Playhouses and West End), War Horse (National Theatre and West End), Scenes From The Big Picture, Closing Time, The Playboy of the Western World, Peer Gynt and Romeo and Juliet (National Theatre, London), Macbeth (Royal Shakespeare Company), Dr Faustus, A Whistle in The Dark, Shoot the Crow, Unidentified Human Remains and The True Nature of Love, Julius Caesar, Miss Julie and Donny Boy (Royal Exchange), Sweet Bird of Youth, Edward II, Lulu and 1953 (Citizens Theatre, Glasgow), Titanic (MAC, Belfast), The Crucible (Regent’s Park Open Air Theatre), Volunteers (Gate Theatre), Trust and The Strip (Royal Court) and The Postman Always Rings Twice (West Yorkshire Playhouse), The Grapes of Wrath, The Three Musketeers and Insignificance (Crucible, Sheffield). Patrick has also been an Associate Artist with Nottingham Playhouse and with Prime Cut Productions where he directed The Trestle at Pope Lick Creek. Film and television work includes Prometheus (Brandywine Productions), Perkins 14 (After Dark Films), Exorcist – The Beginnings (Morgan Creek Productions), Charlotte’s Red (4 × 4 Productions), Stealing Rembrandt (Fine & Mellow Productions), Octane (Delux Productions), Holby Blue, Five Days, Waking The Dead, Holy Cross and A Rap At The Door (BBC), As The Beast Sleeps (BBC Northern Ireland), Any Time Now (Comet Productions), Gunpowder, Treason and Plot (Raging Star Films), Wire In The Blood (ITV Productions), The Borgias and Game of Thrones (Octagon Films) and The Fall (Artists Studio). In 2005 Patrick received a NESTA Fellowship and released a book of conversations with a range of actors, entitled Actor’s Voices; People behind the Performances. (Oberon Books).