Karl Quinn
Karl’s work at Abbey Theatre includes The Plough and the Stars, Christ Deliver Us!, The Duty Master and St. Joan. Recent theatre credits include Slattery’s Sago Saga (Performance Corporation), Swampoodle (Performance Corporation & Solus Nua), Moment, nominated Best Ensemble Off West End Awards (Tall Tales Theatre Company and Bush Theatre), and Connected, which he co-wrote and was nominated for The Bewley’s Little Gem Award, ABSOLUT Fringe 2010. (Projects Arts Centre), The Ones Who Kill Shooting Stars (Upstate), Observe the Sons of Ulster Marching Towards the Somme (Livin’ Dred), Anatomy of a Seagull, nominated for Best Supporting Actor Irish Times Theatre Awards and for a Best Actor Absolut Fringe nomination 2009, The Last Days of Judas Iscariot (Making Strange), Submarine Man (Upstate), Ferry Tales (Carpet Theatre) and In Real Time (Broken Talkers).Other theatre credits include All in the Timing, nominated for Best Actor Dublin Fringe 2008 (Bewley’s Café Theatre), Everybody Loves Sylvia and Fewer Emergencies (Randolf SD | The Company), The Maids, Hedda Gabler, Waterfront Wasteland, Julius Caesar, Hamlet, Macbeth (Winner of the Best Production Dublin Fringe 2001), Jesus has my Mom in there and has Beat Her up Real Bad, Medea Material, Landscape with Argonauts, The Revengers Tragedy, Measure for Measure, The Duchess of Malfi, The Spanish Tragedy, Coriolanus, The White Devil and In the Dark Air of a Closed Room (Loose Canon), Alone It Stands (Yew Tree Theatre), The Orpheus Project (Actors Touring Company), Macbeth (Second Age), No Messin’ with the Monkeys (The Ark), How High is Up (TEAM), Two for Dinner for Two, 50 Ways to Leave Dun Laoghaire and Fire Station (Carpet Theatre). Film and television credits include Fair City and Storylane (RTÉ), Mystic Knights of Tir na n’Og (Fox), Lip Service (Paul Mercier), The Hall (Little Productions) and Dogged (Richard Walsh).
