James Macdonald
This is James’s first time working for the Abbey Theatre. His work for the Royal Court includes Cock, Drunk Enough to Say I Love You (also Public Theater), Dying City, Fewer Emergencies, Lucky Dog, Blood, Blasted, 4.48 Psychosis (including European/US tours), Hard Fruit, Real Classy Affair, Cleansed, Bailegangaire, Harry and Me, The Changing Room, Simpatico, Blasted, Peaches, Thyestes, The Terrible Voice of Satan, Hammett’s Apprentice and Putting Two and Two Together. Other theatre credits include Dido Queen of Carthage, The Hour We Knew Nothing of Each Other, Exiles (National Theatre, London), The Book of Grace (Public Theater), Top Girls (Broadway/MTC), Glengarry Glen Ross (West End), Dying City (Lincoln Center), A Number (New York Theatre Workshop), Troilus und Cressida, Die Kopien (Berlin Schaubühne), 4.48 Psychose (Vienna Burgtheater), The Tempest, Roberto Zucco (RSC), Judgment Day, The Triumph of Love (Almeida), Love’s Labour’s Lost, Richard II (Royal Exchange, Manchester), The Rivals (Nottingham Playhouse), The Crackwalker (Gate, London), The Seagull (Sheffield Crucible), Miss Julie (Oldham Coliseum), Juno and the Paycock, Ice Cream ,Hot Fudge, Romeo and Juliet, Fool for Love, Savage/Love, Master Harold and the Boys (Contact Theatre) and Prem (BAC/Soho Poly). Opera includes A Ring A Lamp A Thing (ROH Linbury), Eugene Onegin, Rigoletto (WNO), Die Zauberflöte (Garsington), Wolf Club Village, Night Banquet (Almeida Opera), Oedipus Rex, Survivor from Warsaw (Royal Exchange/Hallé) and Lives of the Great Poisoners (Second Stride). Films include A Number for HBO/BBC. James was Associate Director of the Royal Court from 1992-2006 and a NESTA fellow 2003-2006.
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