Enda Walsh
Enda’s work includes Delirium, an adaptation of Dostoevsky’s The Brothers Karamazov for Theatre O (Abbey Theatre, The Barbican), The Walworth Farce; The New Electric Ballroom (Druid), The Walworth Farce (Galway, Cork, Dublin, Edinburgh – 2007 Fringe First Winner, New York), Chatroom (Cottesloe, Royal National Theatre), The Small Things (for Paines Plough, Menier Chocolate Factory, London and Galway Arts Festival 2005), The New Electric Ballroom (Kammerspeil Theatre Munich, winner of Theater Heute’s Best Foreign Play 2005), two short plays, How These Men Talk (Zurich Shauspielehaus) and Lynndie’s Gotta Gun for Artistas Unidos (Lisbon’s National Theatre), Bedbound (Dublin Theatre Festival 2000, Edinburgh 2001 – Fringe First Winner, Royal Court, London, New York and worldwide), Misterman (Granary Theatre), Disco Pigs (Cork, Dublin, 1996; Edinburgh, 1997; West End 1998 – awarded Arts Council Playwrights Award 1996, Best Fringe Production 1996, Stewart Parker and George Devine Awards 1997) and The Ginger Ale Boy (Corcadorca). Films include Disco Pigs (Temple Films/ Renaissance), Hunger (Blast/FILMFOUR, winner of the Camera D’Or and international prize in Cannes 2008), Chatroom (Ruby Films/FILMFOUR) and In development: Island of the Aunts (an adaptation of Eva Ibbotson’s children’s novel for Cuba Pictures) and Dusty Springfield: Goddess of the Sixties (Number 9 Films/FILMFOUR). Radio includes Four Big Days in the Life of Dessie Banks (RTÉ Radio, winner of the PPI Award for Best Radio Drama 2001) and The Monotonous Life of Little Miss P (BBC – commended in the Berlin Prix Europa 2003).
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