Annabelle Comyn
Annabelle’s work at the Abbey Theatre includes A Number by Caryl Churchill and Blue/Orange by Joe Penhall. She studied Drama and Theatre Studies at the Samuel Beckett Centre, Trinity College Dublin and at Goldsmith’s College, UCL. In 2004 she founded HATCH Theatre Company, productions include Love and Money by Dennis Kelly, Further Than The Furthest Thing by Zinnie Harris (both nominated for Best Actress Irish Times Theatre Awards), Cruel and Tender by Martin Crimp, Pyrenees by David Greig, Blood by Lars Norén and The Country by Martin Crimp.
Annabelle has been awarded by the Arts Council and supported by Dublin City Council a Residency at Project Arts Centre for 2011. She is also a Project Catalyst as part of the Project Arts Centre initiative. Freelance work includes The Sit by Gavin Kostick (Bewley’s Cafe Theatre – Dublin Fringe Festival Best Male Performance nomination and Bewley’s Cafe Little Gem Award nomination), Dublin Noir, My Brother is Disappearing and Eclipsed 1 and 11 for The Irish Times Award winning Whereabouts (Fishamble). For the Royal Court she directed Good-bye Roy (Exposure), B22 (Young Writers’ Festival), Rough Road to Survival (Class) and Under the Skin (in association with London Weekend Television and the Chelsea and Westminster Hospital). Other work includes Churchill x 3, Terrorism, Loveplay, The Strip, The Possibilities, Mad Forest (Samuel Beckett Centre), Ashes and Sand by Judy Upton (Nukutheater, Tallinn, Estonia), Top Girls for NYU Tisch (Samuel Beckett Theatre), Twelfth Night (Granary Theatre, Cork), Lament for Arthur Cleary (Brockley Jack, London) and The Rock Station (Finborough, London).
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